Programs

Films

Bearing Exquisite Witness

Thursday

Friday

Saturday

Calling the Ghosts
The Sari Soldiers
My Terrorist
Many Voices from Many Faces

Enemies of Happiness
Finding Face

Reversing the Ripples of War

TAPOLOGO
Reversing the Ripples of War
The Women Next Door
PeaceXPeace: Women on the Frontlines
My Daughter the Terrorist
Pray the Devil Back to Hell
Rhythms to Peace

Wan’ni: Murdered Marriages

Afghanistan Unveiled
Forging Peace in Guatemala
Women and War
Wounds of the Heart
Rhythms to Peace
God Sleeps in Rwanda
Leading the Way to Peace

_______________________________________________________________________________________
Afghanistan Unveiled

"Afghanistan Unveiled"
A film by Brigitte Brault and Aina Women Film Group
52 minutes, Subtitled

 

Filmed by the first-ever team of women video journalists trained in Afghanistan, this rare and uncompromising film explores the effects of the Taliban’s repressive rule and recent U.S.-sponsored bombing campaign on Afghan women. None of the 14 journalist trainees had ever traveled outside Kabul. Except for one, none had been able to study or pursue careers while the Taliban controlled their country.

Leaving Kabul behind for the more rural regions of the country, the filmmakers present heartbreaking footage of Hazara women whose lives have been decimated by recent events. With little food and no water or electricity, these women have been left to live in caves and fend for themselves, abandoned in the wake of the U.S. invasion. While committed to revealing such tragedies to the world, the filmmakers also manage to find moving examples of hope for the future. A poetic journey of self-discovery, "Afghanistan Unveiled" is a revelatory and profound reminder of independent media’s power to bear witness and reveal truth.

Awards, Festivals and Screenings

  • Berlin Film Festival
  • Tampere International Film Festival
  • Mill Valley Film Festival
  • Festival International de Films De Femmes de Creteil
  • Femme Totale International Film Festival
  • Copenhagen International Documentary Festival
  • Margaret Mead Film Festival
Photo courtesy of Women Make Movies, www.wmm.com.
_______________________________________________________________________________________
 
Calling the Ghosts

"Calling the Ghosts"
Directed by Mandy Jacobson and Karmen Jelincic
63 minutes, Subtitled

 

An extraordinarily powerful documentary, CALLING THE GHOSTS is the first-person account of two women caught in a war where rape was as much an everyday weapon as bullets or bombs. Jadranka Cigelj and Nusreta Sivac, childhood friends and lawyers, enjoyed the lives of "ordinary modern women" in Bosnia-Herzegovina until one day former neighbors became tormentors. Taken to the notorious Serb concentration camp of Omarska, the two women, like other Muslim and Croat women interned there, were systematically tortured and humiliated by their Serb captors.

Once released, the pair turned personal struggles for survival into a larger fight for justice-aiding other women similarly brutalized and successfully lobbying to have rape included in the international lexicon of war crimes by the UN Tribunal at the Hague. Chronicling the two women's experience and their remarkable transformation, CALLING THE GHOSTS is an indispensable resource for deepening understanding of human rights abuses and combating violence against women in the global arena.

Photo courtesy of Women Make Movies, www.wmm.com.
_______________________________________________________________________________________
 
Enemies of Happiness

"Enemies of Happiness"
A film by Eva Mulvad and Anja Al-Erhayem
59 minutes, Subtitled


"In September 2005, Afghanistan held its first parliamentary elections in 35 years. Among the candidates for 249 assembly seats was Malalai Joya, a courageous, controversial 27-year-old woman who had ignited outrage among hard-liners when she spoke out against corrupt warlords at the Grand Council of tribal elders in 2003. ENEMIES OF HAPPINESS is a revelatory portrait of this extraordinary freedom fighter and the way she won the hearts of voters, as well as a snapshot of life and politics in war-torn Afghanistan.

Amidst vivid, poetic images of Joya's dusty Farah Province, the film tracks the final weeks of her campaign, when death threats restrict her movements. But the parade of trusting constituents arriving on her doorstep leaves no doubt that Joya is a popular hero. Among her visitors is a 100-year-old woman who treks two hours to offer loyalty and herbal medicine. King Solomon-style, Joya acts as folk mediator and advocate, adjudicating between a wife and her violent, drug-addicted husband and counseling a family forced to marry off their adolescent daughter to a much older man. Protected by armed guards, Joya heads to poor rural areas to address crowds of women, pledging to be their voice and ‘expose the enemies of peace, women, and democracy.’ In the presence of her fierce tenacity, we can imagine the future of an enlightened nation.” - Caroline Libresco, Sundance Film Festival

Photo courtesy of Women Make Movies, www.wmm.com.
_______________________________________________________________________________________
 
Finding Face

"Finding Face"
Spin Films
80 minutes


An unflinching portrayal of a family's search for justice following a brutal attack, "Finding Face" provides a carefully contextualized picture of acid attacks* in Cambodia, a study of the country’s criminal justice system and the complex challenges faced by acid survivors in the U.S.

The film addresses the scarcity of attention devoted to acid violence against women in Cambodia, and through the stories of women who have survived attacks, the film unveils the physical, psychological, social and economic consequences of acid attacks as well as the social, medical, legal and humanitarian responses to such violence.

*The deliberate throwing of nitric or sulphuric acid into the face of another person.

_______________________________________________________________________________________
 
Approach of Dawn: Forging Peace in Guatemala

"Forging Peace in Guatemala"
Produced by Films for the Humanities
53 minutes, Subtitled

 

A 36-year civil war has left over 150,000 dead and more than 1 million displaced in Guatemala. This program presents stirring portraits of three Mayan women and their efforts on behalf of peace. Adela, a widow, bravely sustains her refugee family. Justina tirelessly travels the countryside explaining the human rights movement to fellow villagers. Francesca, a Mayan priestess, reaffirms the cultural identity of her people. Stunning photography evokes the Mayan Popol Vuh creation story and punctuates the women’s courageous struggle.

_______________________________________________________________________________________
 
God Sleeps in Rwanda

"God Sleeps in Rwanda"
A film by Kimberlee Acquaro and Stacy Sherman
28 minutes, Subtitled

 

Uncovering amazing stories of hope in the aftermath of the Rwandan genocide, Academy Award-Nominee GOD SLEEPS IN RWANDA captures the spirit of five courageous women as they rebuild their lives, redefine women’s roles in Rwandan society and bring hope to a wounded nation.

The 1994 Rwandan Genocide left the country nearly 70 percent female, handing Rwanda’s women an extraordinary burden and an unprecedented opportunity. Girls are attending school in record numbers, and women now make up a large part of the country’s leadership. Working with two cameras and no crew except for their translator—a genocide survivor herself—the filmmakers uncover incredible stories: an HIV-positive policewoman raising four children alone and attending night school to become a lawyer, a teenager who has become head of household for her four siblings, and a young woman orphaned in her teens who is now the top development official in her area. Heart-wrenching and inspiring, this powerful film is a brutal reminder of the consequences of the Rwandan tragedy, and a tribute to the strength and spirit of those who are moving forth.

Awards, Festivals and Screenings

  • Emmy Award for Best Documentary
  • Academy Award Nominee for Best Documentary Short
  • United Nations Traveling Film Festival
Photo courtesy of Women Make Movies, www.wmm.com.
_______________________________________________________________________________________
 
Leading the Way to Peace

"Leading the Way to Peace"
Sun & Moon Vision Productions
65 minutes

 

History is recorded from women’s perspectives in this inspiring documentary film. The film features women from the conflict affected countries of Sierra Leone, Pakistan, Sri Lanka and Guatemala, tracing their personal stories of peacemaking, courage and hope.

The stories are those of four seemingly ordinary women of different ages, different religions and different cultural backgrounds, who rise up and take daring, non-violent stands and action in times of war and post-conflict resolution.  In one way or another, they are all working toward the same goals: peaceful communities, gender equality and human dignity - so that we all benefit.

_______________________________________________________________________________________
 
AAUW

"Many Voices from Many Faces"
AAUW
15 minutes

 

Since its first meeting in 1881, The American Association of University Women (AAUW) has been a catalyst for change. Today, with more than 100,000 members, 1,000 branches, and 500 college and university partners, AAUW contributes to a more promising future and provides a powerful voice for women and girls—a voice that cannot and will not be ignored.

 

The film incorporates highlights from the international panel at the 88th AAUW Conference, which took place in San Diego on April 26, 2009. The panel focused on efforts to promote the welfare of women and girls around the world.

_______________________________________________________________________________________
 
My Daughter the Terrorist

"My Daughter the Terrorist"
A film by Beate Arnestad, Produced by Morten Daae
58 minutes, Subtitled

Twenty-four-year-olds Dharsika and Puhalchudar have been living and fighting side-by-side for seven years as part of LTTE’s elite force, the Black Tigers. Their story is told through cinema verité footage, newsreel footage, and interviews with the women and Dharsika’s mother. The women describe heartbreaking traumas they both experienced at the hands of the Sri Lankan army, which led them to join the guerrilla forces. As they discuss their readiness to become suicide bombers and their abiding loyalty to the unnamed “Leader” – who they are sure would never harm civilians – grisly images of past LTTE suicide bombings provide somber counterpoints. Their curiously flat affects raise the possibility that they have been brainwashed. This even-handed documentary sheds light on the reasons that the Tamil Tigers continue their bloody struggle for independence while questioning their tactics.

Photo courtesy of Women Make Movies, www.wmm.com.
_______________________________________________________________________________________
 
My Terrorist

"My Terrorist"
A film by Yulie Cohen
58 minutes, Subtitled

 

In 1978, filmmaker Yulie Cohen was wounded in a terrorist attack by the Popular Front for the Liberation of Palestine. A stewardess for the Israeli airline El Al, she was attacked along with other crew members when getting off the bus to the hotel in London. In a remarkable twist of faith, 23 years later Cohen began questioning the causes of violence between Israelis and Palestinians and started to consider helping release the man who almost killed her, Fahad Mihyi.

From the time she was a young girl, Cohen considered herself a staunch Israeli nationalist. Growing up in an upper middle class neighborhood in Israel (where her neighbors included future Prime Ministers Yitzhak Rabin and Arik Sharon, and military hero Moshe Dayan), she patriotically served in the military. After working as an Israel coordinator on a film shoot and visiting the occupied territories, Cohen came to realize that both Israelis and Palestinians played a role in perpetuating the cycle of hostility and bloodshed. It was her goal to stand up as a survivor and call for reconciliation on each side. An inspiring story of forgiveness, Cohen’s poignant documentary is a moving testimony of human compassion and a call for peace.

Photo courtesy of Women Make Movies, www.wmm.com.
_______________________________________________________________________________________
 
PeaceXPeace: Women on the Frontlines

"PeaceXPeace: Women on the Frontlines"
Produced by PeaceXPeace founder
86 minutes

 

Women are more likely than professional soldiers to be the casualties of war. From genocide and rape to displacement and starvation, they bear more than their fair share of the suffering. But amongst all this hardship, women around the world are standing up for peace. By advocating justice and educating future generations that war is not the answer, they are at the forefront of reconciling their communities. This high-quality documentary made for PBS follows women peacemakers from four different conflict zones – from Afghanistan to Argentina. Narrated by Academy-Award winning actress Jessica Lange, this film redefines the role of women in war.

_______________________________________________________________________________________
 
Pray the Devil Back to Hell

"Pray the Devil Back to Hell"
Fork Films
72 mintues


"Pray the Devil Back to Hell" chronicles the remarkable story of the courageous Liberian women who came together to end a bloody civil war and bring peace to their shattered country.

Thousands of women — ordinary mothers, grandmothers, aunts and daughters, both Christian and Muslim — came together to pray for peace and then staged a silent protest outside of the Presidential Palace. Armed only with white T-shirts and the courage of their convictions, they demanded a resolution to the country’s civil war. Their actions were a critical element in bringing about an agreement during the stalled peace talks.

A story of sacrifice, unity and transcendence, "Pray the Devil Back to Hell" honors the strength and perseverance of the women of Liberia. Inspiring, uplifting and most of all motivating, it is a compelling testimony of how grassroots activism can alter the history of nations.

_______________________________________________________________________________________
 
Reversing the Ripples of War

"Reversing the Ripples of War"
Sun & Moon Vision Productions
22 minutes

An unflinching fusion of poetry, spoken word, soulful music and personal testimony that exposes the cruelty of armed conflict and showcases the undeniable heroism of women peacemakers who are reversing the ripples of war.

This documentary is the second installment in the Women PeaceMakers Documentary Series and features four women peacemakers: Sister Pauline Acayo of Uganda, Thavory Huot of Cambodia, Emmaculeta Chiseya of Zimbabwe and Mary Ann Arnado from the Phillippines.

_______________________________________________________________________________________
 
Rhythms to Peace

"Rhythms to Peace"
Sun & Moon Vision Productions
24 minutes

 

The third installment in the Women PeaceMakers Documentary Series, "Rhythms to Peace: The Way of a Woman PeaceMaker," chronicles the life of Susan Tenjoh-Okwen of Cameroon.

 

Susan is a teacher, community peace mediator, facilitator promoting social and economic empowerment and a respected gender activist who has peacebuilding experience in two provinces of Cameroon. She has been working to address causes of long-standing, intertribal conflict that seldom makes international news, but that has resulted in division, displacement and trauma for many people in several regions. In uniting and educating women from different villages, she was able to overcome the hostilities of men against men at the peak of a crisis when families were being torn apart.

_______________________________________________________________________________________
 
TAPOLOGO

"TAPOLOGO"
A documentary film by Gabriela and sally Gutierrez Dewar
88 minutes

 

TAPOLOGO tells a local story with global relevance. It’s an up-beat narrative, that moves from squalor and degradation to dignity and hope. HIV infected women are portrayed as protagonists of their own healing process, not as victims.

In Tapologo, the fight against AIDS unfolds as a community project mobilizing a network of retired nurses, social workers, doctors, religious leaders ostracized by the official church, alongside ex-sex workers and the patients themselves.

In sub-Saharan Africa the Catholic Church’s official doctrine on the use of condoms has had a huge negative impact. Aware of the problem, Bishop Kevin Dowling questions the Church’s official stance and is a co-founder of the Tapologo.

The directors have used a language that allowed them to follow the daily life of some of the women from the Tapologo network, and at the same time contextualize the situation of thousands of black women in South Africa.

_______________________________________________________________________________________
 
The Sari Soldiers

"The Sari Soldiers"
A film by Julie Bridgham
90 minutes, Subtitled

 

Filmed over three years during the most historic and pivotal time in Nepal’s modern history, The Sari Soldiers is an extraordinary story of six women’s courageous efforts to shape Nepal’s future in the midst of an escalating civil war against Maoist insurgents, and the King’s crackdown on civil liberties.

When Devi, mother of a 15-year-old girl, witnesses her niece being tortured and murdered by the Royal Nepal Army, she speaks publicly about the atrocity. The army abducts her daughter in retaliation, and Devi embarks on a three-year struggle to uncover her daughter’s fate and see justice done. The Sari Soldiers follows her and five other brave women: Maoist Commander Kranti; Royal Nepal Army Officer Rajani; Krishna, a monarchist from a rural community who leads a rebellion against the Maoists; Mandira, a human rights lawyer; and Ram Kumari, a young student activist shaping the protests to reclaim democracy. The Sari Soldiers delves into the extraordinary journey of these women on opposing sides of the conflict and the democratic revolution reshaping their country’s future.

Photo courtesy of Women Make Movies, www.wmm.com.
_______________________________________________________________________________________
 
The Women Next Door

"The Women Next Door"
A film by Michal Aviad
80 minutes

 

"The Women Next Door" is a thoughtful and emotive documentary about women in the Palestinian-Israeli conflict. Israeli director Michal Aviad was living in the United States when the Intifada broke out in the West Bank and Gaza. Filled with questions about how the Occupation affected women on both sides of the conflict, she set off in a journey through Israel and the Occupied Territories with two other women - a Palestinian assistant director and an Israeli cinematographer.

The film explores the roles that the Occupation designated for women on both sides and the questions it raises. In a world of occupation, what is the meaning of femininity, motherhood, birth, violence, compassion and solidarity between women? Can the womanhood of Israelis and Palestinians be separated from their political reality? The women next door are the women on either side of the border, as well as, those who face the camera and those who stand behind it. "The Women Next Door" provides a unique perspective on women’s lives in the Middle East and the critical part they play in rebuilding societies ravaged by war.

Photo courtesy of Women Make Movies, www.wmm.com.
_______________________________________________________________________________________
 
Wan'ni: Murdered Marriages " Wan’ni: Murdered Marriages"
A film by 2009 Woman PeaceMaker Rubina Bhatti
28 minutes


A presentation of Taangh Wasaib Organization (T.W.O.), Wan’ni: Murdered Marriages weaves threads from the lives of Pakistani women suffering under misogynistic customs, such as Wan’ni, the practice of a murderer’s family offering one or more of their women to be married into the victim’s family as compensation for the crime. Van'ni is a harmful tradition where Pakistani women are traded between families in resolution of a dispute.


The film also profiles the practice of Honor Killings and maiming in poignant yet striking cinematography and moved with the hauntingly beautiful voices of Humara Channa and Hasan Askri. T.W.O.’s advocacy tool provides analysis and empathy towards the abuses still suffered by many women in Pakistan as well as around the world.

_______________________________________________________________________________________
 
Women and War

"Women and War"
By Films for the Humanities and Sciences
52 minutes


Interwoven with footage from recent conflicts in the Middle East, Bosnia, northern Uganda and South Africa, this program captures women's personal experiences of military violence, explains how they survived and reflects on their growing resistance to war. The women's feelings of loss, uncertainty and anguish are expressed through stories of cruelty, degradation and psychological trauma, while their attempts to achieve reconciliation and rebuild shattered communities demonstrate their positive efforts to create a more peaceful future for everyone.

_______________________________________________________________________________________
 
Women in Struggle

"Women in Struggle"
A film by Buthina Canaan Khoury
56 minutes, Subtitled

 

WOMEN IN STRUGGLE presents rare testimony from four female Palestinian ex-detainees who disclose their experiences during their years of imprisonment in Israeli jails and the effect it has had on their present lives and future outlooks. Once content in their lives as sisters, wives and mothers, each of the women became active members for the national fight for Palestinian independence, but their “crimes” differed markedly–one woman was detained in a peaceful protest while another was arrested for her participation in a bombing.

Their painful recollections provide a fascinating personal perspective on their motives for political involvement, reveal their struggles in prison, and define the difficulties they have faced readjusting to life in Palestinian society. Though the women are now free, they continue to feel imprisoned by the current climate of the Intifada, by the “war on terror” and by the recently built “security” wall. With horrifying stories of torture suffered while in Israeli detention, the film brings to the forefront the hot-button issue of human rights abuses in prisons—and its particular implications for women prisoners. It also grapples with timely and difficult questions—what politicizes an individual? Are people born to fight, or do their circumstances force them to do so?

Presented without narration, WOMEN IN STRUGGLE does not categorize its subjects as heroes or criminals, instead letting the women’s voices stand on their own to add another layer to the complex discourse on Israel.

Photo courtesy of Women Make Movies, www.wmm.com.
_______________________________________________________________________________________
 
Wounds of the Heart

"Wounds of the Heart: An Artist and Her Nation"
A film by John Halaka and Sitting Crow Productions
52 minutes

 

Born and raised in the village of Tarsheha in the Galilee, Rana Bishara is a Palestinian visual artist whose creative practice includes sculpture, installation work and performance art. Her artwork functions simultaneously as an elegy to the Palestinian Nakba (the Arabic term for The Great Disaster that began in 1948), an unmasking of the brutality of the Israeli occupation of Palestine and a critique of the biased Western media’s depiction of the Palestinians’ struggle against their occupiers. The objects employed in her artwork perform as surrogates for the body and spirit of Palestine and its people. Her work, in both its physical and conceptual manifestations, is an expression of the inseparable blending of the personal and political experiences that define the identity of every Palestinian.

As a Palestinian citizen of Israel, Rana deeply understands how feelings of belonging and claims of ownership, irrevocably separate yet permanently connect Arabs and Jews in their struggle for a land that is called Palestine by one group and Israel by the other. Each of the two cultures wants to hold on to every inch of land claimed by the other. The Palestinians strongly feel that they belong to the land, while the Israelis insist that the land belongs to them.  Bishara’s artwork is deeply embedded in and informed by the Palestinian experiences of displacement, exile and occupation and the desire of Palestinian refugees to return to the lands they were displaced from. Through her work, Rana wants to convey the wounds of the heart inflicted upon her father’s generation and subsequent generations of Palestinians. She wants to bear witness to a once multicultural Palestinian society that was destroyed in 1948 and a once-thriving agricultural society that has been irrevocably changed.

Updated on 9/27/2009