Lauren Buscemi has been teaching Art History at the University of San Diego since 2005. Currently she teaches Art and Visual Culture focusing on American art since the 1940s.

> More Information

Derrick Cartwright, Ph.D., taught art history full-time at USD from 1992-1998.  He then directed the Musée d’Art Américain Giverny in France (1998-2001), the Hood Museum of Art at Dartmouth College (2001-2004), and the San Diego Museum of Art (2004- present).  He still enjoys working with undergraduates at USD, especially in interdisciplinary investigations of visual art and culture.

> More Information

Andrew Cross attended the Maine College of Art in Portland where he received his B.F.A. in photography in 1999. He remained in Portland, Maine, continued to teach photography in adult education, and worked in the commercial photography business. New England is where he first started his body of work and continued to travel across country to explore his photographic vision. With a strong interest and influence of the western landscape he pursued a M.F.A .in photography at the San Francisco Art Institute. Cross then moved to Los Angeles to work as a freelance photographer and continue his personal focus on the urban and rural American landscape. His photographs are published and exhibited nationally.  He continues to work commercially when not teaching or working on his personal work.

> More Information

Adriana Cuéllar ­is principal of CRO studio with her partner Marcel Sanchez, an architectural design practice with experimental urban research projects. She received her Bachelor of Architectur­e from Cal Poly San Luis Obispo and holds a Masters in Design Studies from Harvard University Graduate School of Design where she won the Annual Award for Excellence in Housing Design for the architectural and urban proposals for Huixquilucan, México. She received the 2006-2007 Rome Prize Fellowship in Design by the American Academy in Rome, where she pursued her interest on the trajectory with her partner, and developed methodologies of sequential mapping that unveil textures of change and erosion in urban fabrics.

> More Information

Eva J. Friedberg received her Ph.D. in the Program in Visual Studies at the University of California, Irvine. She has been working in the department of Art as an Art History lecturer since 2006. Her course offerings include Introduction to Modern Architecture, The Art and Architecture of Los Angeles, and The City and Utopia. Her current research focuses on postwar American architecture and urbanism, the counterculture, avant-garde art and performance of the 1960s, and landscape.

> More Information

Bill Kelly is a painter, printmaker, and sculptor as well as co-director of Brighton Press, an internationally known fine press artists’ book publisher, which he founded in 1980. Brighton Press books are housed in more than one hundred museum and library collections. His personal work is housed in numerous public and private collections in the United States, including the Achenbach Foundation for the Graphic Arts in San Francisco, the Getty Research Institute in Los Angeles, the Walker Art Museum in Minneapolis, the Toledo Art Museum in Ohio. Kelly was awarded a Pollack Krasner Foundation Grant in 2002 and continues making art and books in Vermont and California.

> More Information

John Marciari, Ph.D., became the curator of Italian and Spanish Painting and the head of Provenance Research at the San Diego Museum of Art in 2008. He was previously the Nina & Lee Griggs Associate Curator of Early European Art at the Yale University Art Gallery. Marciari’s work focuses particularly on aspects of artistic practice in Italy and Spain during the Renaissance and Baroque eras.

> More Information

Carol McCusker, Ph.D., is curator of photography at the Museum of Photographic Arts in San Diego. In her eight years at MoPA, she has curated more than thirty exhibitions. These include "First Photographs: William Henry Fox Talbot" and "The Birth of Photography, American Noir: The Photographs of James Fee", "The Roads Most Traveled: Migration Photographs by Don Bartletti," and "Public Privacy: Wendy Richmond’s Surreptitious Cellphone." Such diverse curating, from the first photographs to cameraphone technology, reveals McCusker’s enthusiasm for photography’s range, from its earliest manifestations as a seemingly objective record to contemporary themes that expand our understanding the complex world around us.

> More Information

Danielle Michaelis-Castillo currently teaches Art Fundamentals for Liberal Studies majors. She also serves as a lead artist at the non-profit organization CoTA (Collaborations: Teacher and Artists), providing professional development in arts integration for elementary school teachers in San Diego County Schools. Her scholarly and creative work focus on the intersection between community art and its therapeutic value for underserved youth.

> More Information

Robert Pincus, Ph.D., has been a lecturer at USD since 1998. His course “Art Now: Critical Thinking About Art” focuses on art history since 1960, with discussion and writings on notable exhibitions at museums and galleries. This seminar, which combines readings in art criticism and theory with student writings on notable local exhibitions, is rooted in his extensive experience as an art critic.

> More Information

Iana Quesnell has been a member of the faculty since 2008. Quesnell teaches Foundations and Form, a sculpture class in the undergraduate Visual Arts department.

> More Information

Bekkah Walker is a Lecturer in the Visual Arts Department where she specializes in topics within the genre of New Media. Her courses have included Introduction to New Media, Video Art, Special Topics in Design and Installation Art. Her research explores the relationship between the Californian landscape and its human inhabitants. This research undergoes subjective filtration where the analysis is translated into sound sculptures, installations, interventions, drawings and video.

> More Information